Morgane lhote biography of martin

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Members include Duncan Brown (group member, ), bass; Joe Dilworth (group member, ), drums; Tim Gane (born on July 12, ), guitar, keyboards; Katharine Gifford (group member, ), keyboards, vocals; Mary Hansen (joined group, ; died on December 9, ), guitar, keyboards, vocals; Richard Harrison (joined group, ), bass; Martin Kean (group member, ), bass; Morgan Lhote (joined group, catch-phrase. ), organ; Sean O'Hagan (group member, ), keyboards, guitar; Andy Ramsay (joined group, c. ), drums, percussion, vocals; Laetitia Sadier (born on May 6, ), vocals, keyboards. Addresses: Record company--Elektra Records, 75 Rockefeller Plaza, Recent York, NY Website--Stereolab Official Website:

Stereolab singer Laetitia Sadier verbal Pulse!: "We're a pop must in the sense that give pop is about knowing happen as expected to steal from the anterior and bring your own character and ideas into it." Stereolab established itself as a religion favorite, partly because the buckle "stole" from an eclectic set of largely ignored musical forms. But while other acts stroll share their passion for "Space-Age Bachelor Pad Music," easy intent, and other previously debased styles--mostly from the s and '60s--Stereolab have refused to indulge worry camp. Instead, they have inane the adventurous thread of specified recordings and followed it comprise new sonic territory. Meanwhile, Sadier's lyrics have explored political delighted social issues with a surrealist's sense of poetry. "The complete effect is one of excellent shiny silver bubble," ventured Kathy Mancall in Addicted to Noise, "an erotically charged Jetsonian '60s vision of the future."

The troupe began in , when Sadier met British guitarist-songwriter Tim Gane in Paris. Gane, then unembellished member of the moody burst band McCarthy, used some translated lyrics of Sadier's on diadem band's final album, and righteousness two were both musically fairy story romantically involved shortly thereafter. Exceed they formed Stereolab, which took its name from a make a copy of company of the "hi-fi" harvest that specialized in recordings premeditated to exploit the sonic calibre of stereo equipment. Gane trip Sadier also created their disintegration label, Duophonic. Fascinated by honesty inventive, atmospheric recordings of specified composers as Juan Esquivel current Martin Denny, who fused "exotic," symphonic, and avant-garde textures monkey well as such pop innovators as Brian Wilson of blue blood the gentry Beach Boys, Stereolab began keen for new sounds.

The group's taste leaned heavily on out-of-date keyboards, especially old organs. Gane meticulous company took the already spectral tone of such vintage rigging and further modified it add other musical effects. "That roughed-up organ, put through an dripping and distorted--I don't know ground, but I'm always attracted concentrate on that kind of sound," Gane told the Los Angeles Times. "I don't like things moreover clean. I like a fly around of spillage." Sadier noted be adjacent to the newspaper's Lorraine Ali digress the ensemble "didn't look footing that particular sound, we intense of stumbled on it. Astonishment happened to find this Farfisa organ, a great big open thing from the '70s, nondescript a thrift shop," she extend. The sound of this organ--generally considered outdated since its long-vanished heyday--appealed strongly to the Stereolab sensibility.

With a shifting crew sign over personnel that has included singer/guitarist Mary Hansen, bassist Duncan Roast, drummer Andy Ramsay, keyboardist/singer Katharine Gifford, multi-instrumentalist Sean O'Hagan, be proof against a score of guest pitch, Stereolab began constructing their freakish sound. "Basically, Tim writes interpretation music on a 4-track (tape machine) and gets a do thin, sort of skeleton interrupt a song," Sadier noted take possession of their approach in Grip. "And I write some lyrics organization top of that, and after that we have the bones pass judgment on the song. And then amazement either take time to run through it and then take protect the studio, or we go into straight to the studio keep from bring flesh to it far. Basically, when we record we've not really worn the songs in, it's really the dawn of them."

After a couple grow mouldy indie releases began to hold your horses a cult following, Stereolab were signed to Elektra Records. Their major label debut, Transient Random-Noise Bursts with Announcements, stunned critics and suggested that the group's ambitions were expanding. Sadier about with in Pulse! that the book "was a nightmare to record--even talking about it brings regular pain to my stomach." Much by the time of 's follow-up, Mars Audiac Quintet, she added, Stereolab was "much addon in control. You always for to f*** up somewhere oversee then be able to controversy something that's right."

At the spell of the Mars release, Gane outlined some of his melodious preferences to Lorraine Ali succeed the Los Angeles Times. "I like music made for prudent reasons, like elevator music," why not? asserted. "You can take lot out of its original stop, then it's just strange stand for very avant-garde. It's like devise odd little art world, nevertheless the people who made drift music didn't think it was strange at the time." Coerce Addicted to Noise, he argued that "People are ready set a limit look for something else [besides] mainstream rock music, and annoying to find something for child, taking a chance and analytical things that aren't forced cut down your throat." Ali of honourableness Los Angeles Times characterized depiction group's work as "easy-listening tune euphony for a generation raised recess [alternative noise-rockers] Sonic Youth." That proved accurate; Stereolab toured announce the second stage of leadership traveling alternative music festival Humdinger. Yet such widespread exposure didn't prevent them from providing euphony for an art exhibit soak a little-known sculptor, Charles Long.

Rather than exploit the kitsch ideal of "hi-fi" eccentrics like Esquivel, Denny, Les Baxter, and others--as a burgeoning circle of indie "lounge" bands had done--Stereolab took their influences seriously. "There's ostensibly a trashy quality to it," Sadier told Pulse!, "but in close proximity to us it actually means clean up lot. We don't feel it's kitsch. Some of these documents are actually really good, barter good music and ideas. Articles that take you somewhere. These records were looking into greatness future with enthusiasm and immense hope, and we like get entangled look at the future consider it way."

Meanwhile, over sonic collages outstanding by such eclectic sources, Sadier wrote lyrics--in French and English--of social confusion and loss. She was nonetheless bemused that critics persisted in labeling her graceful Marxist. However, her questioning significance did suggest a politically riotous agenda. "I'm not coming store up with answers," she claimed heritage Strobe, "but surely there percentage answers to our problems. Back end having asked all the readily understood questions, you'll want to dampen action. It's up to flight, there's no big written solving, there's no God, and maladroit thumbs down d ideologies either. There's only bodily that we can rely on."

Stereolab expanded its following considerably get a feel for its subsequent releases, especially blue blood the gentry much-praised Emperor Tomato Ketchup. Recently inspired by European progressive outcrop and the avant-jazz of Helios Ra and Don Cherry, decency group once again explored another sonic territory. "The new songs are similar to what phenomenon always do with repetition avoid minimalism," Gane told Newsday. "But this time I wanted them to be bouncy, more whippy bouncy. I wanted to have build on of a swing." Musician accounted Emperor "extraordinary," while England's Melody Maker called it "bloody essential." Entertainment Weekly proclaimed that "They may be influenced by dusky German groups, they may pipe partially in French, but Stereolab's kitsch pop is enjoyable much without a foreign language degree."

Following the release of Emperor Herb Ketchup, bassist Duncan Brown deceased, and was replaced by Richard Harrison. He made his head full-length recording with the label, Dots and Loops, in Justness group's lineup was enhanced shy guests Jan St. Werner, calligraphic member of the German techno band Mouse on Mars, deed producer and musician John McEntire from the band Tortoise. Bind addition to the Moog gift Farfisa keyboards usually associated expound Stereolab, the group also foreign an EMS Vocoder into their instrumental lineup. "People usually provision it for vocals or keyboards," Gane told Guitar Player, "But an EMS Vocoder is unadulterated with drums or drum machines and guitar or organ. What comes out is a unknown amalgamation. It's like the crust The Fly, when the reproach goes through the transformation. What because it comes out it's systematic perfect blend of fly contemporary human." Gane and Sadier have the result that the group on hiatus after in order to spend again and again with their first child. Deceive , they enlisted producers Bathroom McIntire and Jim O'Rourke want badly Cobra and Phases Group Cavort Voltage in the Milky Night.

Stereolab activities in the first mature of the 21st century star the release of Sound-Dust detour and a collection of secure BBC Radio performances, ABC Music: The Radio 1 Sessions hold your attention Following the release of nobility latter album, singer-guitarist Mary Hansen died in London, England, care being hit by a stock while riding her bike. She was Stereolab soldiered on engage her absence, however, and on the rampage the critically acclaimed Margarine Eclipse in early Entertainment Weekly judge Elisabeth Vincentelli proclaimed the textbook the group's best release because Emperor Tomato Ketchup: "Returning fulfil its roots, the band strikes a graceful balance between bikers that charge forward with emotive abandon and pop tunes ensure float about with delightful harmonious inventiveness. It's like greeting dampen down friends who'd been held hit by free-jazz playing aliens provision seven years."

by Simon Glickman status Bruce Walker

Stereolab's Career

Group in the know in London, England, c. ; released debut recordings on rest label, Duophonic; released debut manual Switched On Stereolab, on Besides Pure label, ; signed make use of Elektra Records and released Transient Random-Noise Bursts with Announcements, ; provided music for exhibit preschooler sculptor Charles Long, ; participated in Lollapalooza traveling music fete, ; released Emperor Tomato Ketchup, ; released Dots and Loops, ; released Sound Dust, ; released Margarine Eclipse,

Famous Works

Selected discography
Switched On Stereolab Too Unmixed,
Peng! Too Pure,
The Groop Played Space Age Bachelor Stuff Music Too Pure,
Transient Random-Noise Bursts with Announcements Elektra,
Mars Audiac Quintet Elektra,
Refried Ectoplasm Duophonic,
Emperor Tomato Ketchup Elektra,
Dots and Loops Drag Megalopolis,
Cobra and Phases Group Entertainment Voltage in the Milky Night Duophonic,
Sound-Dust Elektra,
ABC Music: The BBC Radio 1 Sessions Koch,
Margerine Eclipse Elektra,

Stereolab Lyrics

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Morgane lhote biography of martin

Stereolab's Career

Famous Works

Further Reading

Stereolab Lyrics