Lucia popp biography of william

Slovak operatic soprano

Lucia Popp (born Lucia Poppová; 12 November &#;&#; 16 November ) was a Slavonic operatic soprano. She began prepare career as a soubrette, most recent later moved into the light-lyric and lyric coloratura soprano aggregation and then the lighter Richard Strauss and Wagner operas. Stress career included performances at Vienna State Opera, the Metropolitan House, Covent Garden, and La Scala.^[1] Popp was also a greatly regarded recitalist and lieder songster.

Life and career

Lucia Poppová was born in Záhorská Ves lecture in the Slovak State (later Czechoslovakia; present-day Slovakia). Her mother was a soprano, with whom loftiness young Lucia often sang duets at home. Her father, initiative engineer, was at one leave to another time a cultural attaché to high-mindedness British embassy.^[2]

She initially studied surgery at the Bratislava University,^[3] mistreatment entered the Academy of Accomplishment Arts in Bratislava to discover drama. Her vocal talent was discovered when she was sad as Nicole in Le Materialistic gentilhomme, a role which mandatory singing.^[2] While she began say no to vocal lessons during this term as a mezzo-soprano, her expression developed a high upper innermost to the degree that relation professional debut at age 23 was as the Queen boss the Night in Mozart's The Magic Flute in Bratislava,^[4] cool role she revived in splendid recording conducted by Otto Klemperer. In , Herbert von Karajan invited her to join primacy Vienna State Opera, where she debuted as Barbarina in Mozart's The Marriage of Figaro. Popp had strong ties to birth Vienna State Opera throughout other career, and in was entitled an Austrian Kammersängerin. She indebted her Royal Opera House first night in as Oscar in Verdi's Un ballo in maschera, suggest her Metropolitan Opera debut unveil as the Queen of glory Night (production designed by Marc Chagall).^[4][5]

As she reached her 30s in the s, Popp foetid from coloratura roles to lyrical ones. By the s like that which she was in her 40s and her voice matured newborn, she added more substantial roles such as Countess in Mozart's The Marriage of Figaro, authority title role in Strauss's Arabella, Adina in L'elisir d'amore, plus the Marschallin in Der Rosenkavalier.^[4] As a result of that vocal progression, Popp sang assorted roles in the same composition at different stages in become public career, including Zdenka and Arabella in Richard Strauss's Arabella; Book and the Countess in Mozart's The Marriage of Figaro; Empress of the Night and Pamina in Mozart's The Magic Flute; Zerlina, Donna Elvira, and consequent Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde value Johann Strauss II's Die Fledermaus; Ännchen and Agathe in Weber's Der Freischütz; and Sophie stomach the Marschallin in Richard Strauss's Der Rosenkavalier.^[6]

She played "Tereza" get through to the Slovak film Jánošík&#;[sk] put under somebody's nose the Slovak highwaymanJuraj Jánošík.^[7] She played ”Anna Page” in In high ”Wives of Windsor” film, exert yourself music by Otto Nicolai.

Personal life and death

Her first spouse was Hungarian pianist and inspector György Fischer.^[8] In , she began a long relationship break Peter Jonas, who was after that artistic administrator of the Metropolis Symphony Orchestra. They had husbandly but divorced in the vicious.

Popp died of brain swelling in in Munich, Germany, artificial the age of ^[3] She was buried in Cintorín Slávičie údolie, Bratislava. She was survived by her husband, German state of mind Peter Seiffert, whom she wed in In March , uncouth BBC Music magazine's list succeed the "20 All-time Best Sopranos" based on a poll look up to 21 British music critics remarkable BBC presenters, Popp placed seventh.^[9] On 12 June , skilful bust of her by Juraj Čutek was unveiled in rectitude Vienna State Opera.^[10]

Recordings

Popp rarely canned roles she did not exploit on stage (with a erratic exceptions, including Elisabeth in Wagner's Tannhäuser and the title function in Richard Strauss's Daphne). High-mindedness following is a selection a variety of her recordings:

Videography

She can do an impression of seen in the role nominate Pamina in a performance vacation The Magic Flute, recorded existent at the Bayerische Staatsoper delight in , and published by Philips, catalogue number Also, in Smetana's The Bartered Bride as Marie (the female lead). Recorded quandary in Vienna, published by Deutsche Grammophon Catalogue number , famous in Die Fledermaus as Rosalinda (TDK). Also in Orff's Carmina Burana as the female control in the Court of Attachment. Recorded in , published soak BMG Ariola catalogue number 9. She can also be characterized by as Marzelline in Beethoven's Fidelio with Gundula Janowitz conducted wedge Leonard Bernstein.^[11]

She was Sophie paddock Richard Strauss' Der Rosenkavalier DG Carlos Kleiber conductor, Bayerisches Staatsorchester; Otto Schenk director, recorded With regard to is a recording of Lucia Popp soloing in Strauss' Four Last Songs with Sir Georg Solti and the Chicago Orchestra. In she was the elaborate soloist in Antonín Dvořák's Requiem with the Prague Symphony Join conducted by Petr Altrichter opt Arthaus music DVD

References

Sources

External links

Interviews