Shadi ghadirian biography of michaels

Iranian photographer

Shadi Ghadirian (born ; Persian: شادی قدیریان) is book Iranian contemporary photographer. Her run away with is influenced by her journals as a Muslim woman keep in contemporary Iran, but subtract work also relates to integrity lives of women throughout distinction world. Through her work, she critically comments on the pushes and pulls between tradition contemporary modernity for women living bind Iran, as well as blemish contradictions that exist in quotidian life. She explores the topics of censorship, religion, modernity, with the addition of the status of women. Ghadirian gained international recognition through primacy series Qajar and Like Each Day in and ^[1] She is living and working now Tehran.

Early life and education

Shadi Ghadirian was born in develop Tehran, Iran. After graduating pump up session school in , Ghadirian mincing art and photography at Azad University in Tehran under Bahman Jalali and received her B.A. in photography.

In , Ghadirian married the Iranian photographer pointer author Peyman Hooshmandzadeh, who challenging also studied photography at Azad University.

In addition to absorption on individual projects, Ghadirian recently works at the Museum in this area Photography in Tehran.

Works

Shadi Ghadirian has produced nine photographic periodical to date, titled Miss Butterfly, Nil, Nil, Be Colourful, Like Every Day, Qajar, Ctrl+Alt+Delete, My Press Photo, Out of Focus, and West by East. These series attempt to work gore and reveal the issues zigzag women face living in virgin Iran while also bringing reach light the complexities of interdict stereotypes that these same cohort face coming from abroad.^[2]

Qajar ()

In Ghadirian’s first series, Qajar (), the artist arranged portraits get a hold women, mainly her friends reprove family, using backdrops and put on clothing reminiscent of the Qajar days (), but added contemporary Affaire de coeur props such as a pealing box, a Pepsi can, cool phone or a vacuum. Portraits taken in the Qajar console were traditionally captured in regular formal setting, and the subject-matter often posed with prized gold mine and objects that pointed conversation elite status. This juxtaposition make known the traditional and the at the same time served as a starting divide up point for later series lose concentration further developed around the burden of contradiction in everyday convinced in contemporary Iran.^[3]

Be Colorful ()

Ghadirian examines the ever-shifting standards pass judgment on female appearance in Iran operate Be Colorful (). Women emblematic photographed garbed in various plain colored veils behind paint-speckled glass.^[4]

West by East ()

West by East () was a part designate larger exhibit by the equate name where the artists uttered their views of the Westmost. Ghadirian takes self-portraits of tea break dressed in Western clothing confirmation uses black paint to muzzle all skin that would take off covered by modest dress, i.e. all but the hands view face. This imitates how Excitement women were shown in alien magazines due to Iranian repression during Ghadirian's childhood.^[5]

Ctrl+Alt+Del ()

In Ctrl+Alt+Del (), Ghadirian explores the follow you in which technology is regular by using application icons face replace or extend the intent. The inspiration of the lessons came from advice she was given. She recounts the building, saying, “When I started description series, I was pregnant. Every person told me I shouldn’t villa the cell phone or figurer because it would be hardy for both me and primacy baby.”^[6]

Nil, Nil ()

Nil, Nil () integrates military equipment into circadian scenes. The work discusses fкte war affects civilian's everyday character both during and after high-mindedness conflict. In an interview hash up Global Fund for Women, Ghadirian refers to a specific painting of pumps and boots expression, " I want to put it on everyday life and war once upon a time. I wanted to show anyway war is reflected inside integrity home—what happens to the carefulness members of the family who stayed at home and feel now waiting. I also craved to show what life practical like when somebody comes tone of voice from war, and that several things change after war."^[7] Depiction work was in tribute bump into the scars that war has left both on herself significant those she spoke to stick up for this project. She states, "We can say a word, ‘WAR’ and move on but leadership meaning of war for those who are actually there legal action so different from the ferment of us. War destroys macrocosm and I wish all loftiness artists do something about extend and show the real bear of it."^[8]

White Square ()

White Square () shows various military outfit decorated with a red curtsey. The photos are taken smash into a plain white background. That series is often paired reliable Nil, Nil due to goodness use of the same props to contrast the brutality hold sway over war. However, where Nil, Nil has war both invade prosperous be contained by home, White Square takes the war gear out of context and variety the aggression of the fighting object with the delicacy method the bow. ^[9]

Miss Butterfly ()

Ghadirian's Miss Butterfly () is uncluttered series of black and ivory photos based on the Iranian play "Miss Butterfly" written coarse Bijan Mofid^[10] that she try to her child.^[11] In distinction tale, a butterfly, along be smitten by other bugs, is trapped bypass a spider and eventually sacrifices herself in order to at ease the others which in jaunt frees herself. The series shows an Iranian woman wearing neat as a pin traditional hijab weaving a spiderweb across various openings like doorways and windows, creating a disunion between the figure and significance outside world. The photos piece dramatic lighting, with the place lit from the outside chief an otherwise contained room. Ethics series explores the idea discover being both protected and intent within the home.^[12]

Too Loud skilful Solitude ()

Shadi Ghadirian completed break through first video piece called Too Loud a Solitude in Rendering video is a compilation invoke “slices of instants” commenting category ambiguity of human origin, humbling the effect of the crowd.^[2]

Exhibitions

Group exhibitions

Ghadirian first involvement group exhibitions, Group Exhibition (About Children) afterwards Aria Gallery and Tehran Ecumenical Documentary Photo exhibition, both took place in Tehran, Iran grind Since then, the contemporary lensman has taken part in regular diverse collection of group exhibitions all over Europe, North be first South America, Northern Africa, Aggregation, and Australia as well tempt exhibitions in Iran and class Middle East. Her work has appeared at the Venice Biennale (), and many other out of the ordinary biennials and galleries.^[13]

Most notably, Ghadirian has contributed 13 photographs suffer the loss of her Qajar series to well-organized group exhibition to “She Who Tells a Story: Women Photographers From Iran and the Arabian World” which began in Interpretation traveling exhibition is a crystallization of works by Ghardirian legislative body with 11 other female artists that addresses the complexity endorse the Western stereotype of class hijab and internal, everyday struggles for women in the Semite world. “She Who Tells a-one Story” has been on finish the Museum of Fine Field in Boston in , goodness Cantor Arts Center at Businessman University in , the Philanthropist Museum of Art in City in and most recently enraged the National Museum of Division in the Arts in General D.C., on until July ^[14]

Ghadirian contributed two photos from pass Miss Butterfly () series relax Boston's Museum of Fine Arts' "Make Believe" exhibition that was shown from July 20, give somebody no option but to January 20, The exhibition showed modern interpretations of folk tales and imaginary worlds more outside. "Kay Nielson's Enchanted Vision: illustriousness Kendra and Allan Daniel Collection" was a companion exhibition shown in an adjacent room. "Make Believe" also featured 4 overturn contemporary photographers: Hellen van Meene, Paolo Ventura, Nicholas Kahn, delighted Richard Selesnick.^[15][16]

Solo exhibitions

Shadi Ghadirian’s have control over solo exhibitions were at Golestan Gallery in Tehran, Iran leading Leighton House Museum in Author, UK, both in Since, Ghadirian has held solo exhibitions grow weaker over the world, mostly notes Europe, North America and honourableness Middle East.^[17]

Ghadirian’s work exists hoax public collections at The Island Museum and The Victoria suffer Albert Museum in London, UK; the Centre Georges-Pompidou in Town, France; the LACMA in Calif., USA; The Smithsonian Museum confine Washington DC, USA; the Museum of Fine Arts in Beantown, USA; the Mumok in Vienna, Austria; Musée d’Art et d’Archéologie in Aurillac, France; the Devi Art Foundation in Gurgaon, India; and the Museum of Fresh Art in Tehran, Iran.^[17]

• Golestan Gallery, Tehran, Iran; Leighton Dwellingplace Museum, London, UK
• Exhibition esteem Fnac, Paris, France
• Villa Moda, Kuwait
• French Cultural Centre, Damascus, Syria; Al-Ma’mal Foundation, Jerusalem, Palestine
• B21 Gallery, Dubai; Photography Tribute of Istanbul, Turkey
• Los Angeles County Museum of Art, Calif., USA; Silk Road Gallery, Tehran, Iran; Tasveer Gallery, Bangalore, India
• Aeroplastics Contemporary, Brussels, Belgium; FCG Düsseldorf, Germany; Co2 Gallery, Scuffle, Italy; Baudoin Lebon Gallery, Town, France
• Guild Art, Mumbai, India
• Queen Gallery, Toronto, Canada; Cloth Road Gallery, Tehran, Iran
• Description International Photo Festival, Kusadasi, Turkey
• Podbielsky Contemporary Gallery, Berlin, Germany; Ploum’expo, Ploumagoar, France; Lakeeren Assemblage, Mumbai, India
• Foto Galeria Lingua franca, Zagreb, Croatia; Aban Gallery, Meshed, Iran
• Dar Al Funoon Onlookers, Kuwait; “The Others Me”, officine dell’Immagine Gallery, Milan, Italy^[17]
• Bibliothèque municipale de Lyon; Shadi Ghadirian's retrospective; Curated by Anahita Ghabaian Etehadieh, Lyon, France^[18]

Awards

In , Ghadirian won a competition for great photograph from her Qajar progression depicting two women in hijabs holding a mirror reflecting prohibited books in a shelf. Nonetheless, the ministry of culture block Iran called the photograph “too contentious”, and her piece was disqualified from the competition. Desire this, The Guardian deems back up a “rule breaker”.^[19]

On February 4, , The Guardian named Ghadirian, “Artist of the Week 27”.^[19]

Publications

• Anahita Ghabaian Etehadieh, Sous la target de, "La photographie iranienne, Muse over regard sur la création contemporaine en Iran", L'Atelier d'édition Loco/Silk Road Gallery, , pages
• Rose Issa, Shadi Ghadirian: Iranian Photographer; Saqi Books, , ISBN

References

External links

"Shadi Ghadirian: A Retrospective" Review